May 1 - October 13, 2025

Experiential Curation at World Expo 2025 (Osaka, Japan)

As part of E Factor Experiences Ltd

Under the aegies of IGNCA and ITPO, Government of India

Situated in the Connecting Lives zone at World Expo 2025, Osaka, the India Pavilion (Bharat) unfolds as a curatorial passage through time—bridging India’s ancient civilisational wisdom with its contemporary global aspirations.

As Principal Curator, Nayanika led the artistic, editorial, and spatial storytelling strategy: shaping narrative arcs, selecting collaborators, and overseeing multimedia commissions and object-based interventions across thematic zones. Inspired by the figure of Padmapani, the pavilion’s lotus-shaped exterior extends inward as a conceptual stream. With the aim to invite visitors to move through experiences that emphasise empathy, oneness, and innovation.

Zones such as the Oneness Lounge, Living Heritage Corridor, and Innovative Bharat were curated to foreground India’s pluralistic identities, scientific temperament, and ecological consciousness. With over 70 exhibits—ranging from rare crafts to kinetic installations, digital displays to spiritual metaphors—the Pavilion becomes a living archive of Bharat’s layered stories. It is at once a contemplative space and a future-facing hub, where design, diplomacy, and public imagination intersect.

India Pavilion

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World Expo 2025

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India Pavilion * World Expo 2025 *

  • To develop a curatorial blueprint for physical and digital content that communicates India’s pluralistic heritage and global ambitions through experiential storytelling at a world stage.

    • Site-responsive curatorial strategy and spatial narrative design

    • Editorial lead for all exhibition texts, films, brochures, and public communications

    • Cross-sectoral liaison with ministries, artists, architects, fabricators, Japanese institutions, and visual design teams

    • Development of digital content strategy aligned with curatorial vision and stakeholder expectations

    • On-site oversight for fabrication, installation, and display logic

    • Integration of long-term maintenance SOPs for operational continuity across the Pavilion's 6-month lifespan

    • Visual semiotics and mythic symbolism in contemporary space-making

    • Exhibition-making as diplomacy: India’s cultural soft power

    • Indigenous knowledge, ODOP crafts, and techno-cultural storytelling

    • Environmental imaginaries in exhibition architecture

    • Participatory curation and inclusive regional representation

    • Curatorial Exhibtion label writing

    • Collateral/Publication Writing

    • Archival Records Writing

    • Content Brief writing

    • Curatorial Briefs and Reports for stakeholders

    • Concept-to-execution curatorial direction across 70+ multimedia exhibits

    • Interpretive strategy spanning five thematic zones: entrance, oneness lounge, heritage andcraft culture, technology and innovation, governance, state representation, corporate representation.

    • Editorial ownership of communication tools across platforms

    • Pavilion positioned as a soft power landmark and international cultural interface

People viewing art exhibits in a museum Heritage Zone. Artworks include ceramic vessels and decorative wall art.

यत्र विश्वं भवत्येकनीडम्

(Yatra Vishwam Bhavatyekanidam)

Where the world becomes one nest

Photo Courtesy: PIB, India (Project under ITPO, IGNCA)

© India Trade Promotion Organization (ITPO)

More information coming soon

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More information coming soon 〰️